Kuvempu sukti
maale
Collection of 907
suktis of kuvempu (dr k v puttappa) by dr javaregowda in kannada in his book “kuvempu darshana vichara “ published by sapna book house 3rd main
road lf a
1)Art literature:
1)over self appreciation is not acceptable
to good culture.even if accepted this
self blaming self refusal
Self power killing make us (goal)vulnerable to more dangers.
(Shastinamana18)
2)symbolic experience of symbolism is
secret work taking place in in
subconscious mind.(tapovana34)
3)sympathy shown towards unfit at misplace
is childish sympathy.this childish sympathy as in life even in literature is an obstacle for our way of development.
(Droupadi21)
4)to self predisposition(atma samskara) the
help done by literature is not done even by mathachara (following
caste and community rules) also.(sahithya20).
5)without going to trial of describing
(picturising) as it is what happened as
it is ,as it is as happened as if is as
found by him to such his experience,
trial of imagining shape
is prathima vidhana. (symbolism)(taponam103)
6) to narrate as
it is is prathikruthi method.(substitute method)(taponam48).
7)to show what is better by showing fingure is criticism. . To show what
is not good is also a kind of criticism.
(kaavya v 83)
8)all similies
stand on lncomplete similarities.(srirama135)
9)both similies
and great similies (mahopamas) methods are
breath inspirations for life(prana) of art.(taponam 48).
10)for rushi’s
rasa vision world is “forest of penance.”(tapovana)divine garden also.(nandana
udyana).
Stage of practice
also.walking earth also. (ithyadi 72)
11)from where is
pain? Where is death?
We are god’s
mads!
Death in
life neem in jiggery
Art is food of
ourself! (kadara 78)
12) where
literature is lively there change happens inevitably.(droupadi 86).
13)where beauty
mooves within limits there joy(laliyhya) get’s body .where it mooves in unlimit
ed shines (grandure . grandness)
touching virat there emits grandure.(greatness)
Taponam 37)
14)unless a poet
emits grandure(grandness) in sufficient
Quantity no body can become mahakavi(great poet)no
poetry will become eternal new
eternal (deathless) poetry.
Only cruelty,
only wickedness(violence), mere destruction
All these in however much quantity they may
be by that grandure(grandness) won’t
arise.(happen).taponam 41 _42)
15)where ever
externally , internally bhuma in it’s vibhuthi quantity depending on horizon of beauty expresses
beyond senses there is opportunity for experience of
grandure(grandness) (rasovy105).
16)for supremacy
of one generation it’s culture is witness.(evidence) .like that for it’s culture it’s literature
Is
eye.(sahithya48).
17)even after
getting down from story background(kathabhumike) to world background(loka bhumike) if one
illuses feelings of kathabhumika in lokabhumika also he will undergo danger(trouble).
(Janatha38).
18)art
beauty is self pleasant maker and self development maker also.(kalasun
x11)
19)art beauty is externally shineful internally penanceful(penanceful). (sahithya
27)
20)art beauty though simple great
penancier(maha tapaswini).(kalasun 111)
21)art is shadow of mirror.experience
itself is original face.
(krutthike33)
22)art is a path for truth.truth is base for
beauty.(fineness)
(Krutthika 24).
23)art is highway for base of
truth.(srirama 24)
24)art is main door (megadoor)for base of
truth.(srirama33)
25) sculpturist creates art . will he create stone?(srirama
16)
26)”art for art” can drag literature to mud
of indecency(ashleelathe) in the same
way “art for religion” formula also
pulling it to dry(neerasa)
customs of dry traditions to
desert of religius illusions , without giving water to mouth may kill if possible.(sahithya50)
27) no
achievement beyond art;
All purusharthas are in art only
in
artless heart (chest) nothing
exists!(kogile 58)
28)wheather
art or poetry are to be evaluated depending upon self
expression and philosophical (adhyathmic) development by rubbing on test
stone(oregallu) .not merely by mind happiness or enjoyment of joy vision only..(shashtina
33)
29)art is higher than life.life is joy of
art.art cultureis play.life is play of
creation.(pretha q)
30)in plane (horizon) of art no higher and lower.there all are
Equal.those who all enter are equally
rich.(shashtina204)
31)for one wh has not tasted flash of
art this world (iha) is shunya(zero).other
world is shunya.(zero).rasa form
blessings of “lord of
all”(sarvesha) is shunya.(krutthike 87)
32)in art truth expresses itself mostly in prathima a(symbolism) .not by prathikruthi method.(substitute method)(taponam
29)
33)from art jada(nonmooving) becomes
chethana(spirit)
Lack of interest in life flows as spark
flows newness
(pakshikashi23)
34)art is play of culture.life is expansion
of creation.
((prethaq9)
35)art is yoga of common man(rasovy 133).
36)poems are manthras to rasayogi
rushi(saint) poet
(Kruthike 2)
37)poetry is emitting of song in lonely
meditation(sahithya5).
38)work of poet is not totally different
from world.not fully dependent on on world it is unique other depedent prthima
(symbol).(droupadi 72)
39)poetry means eternal permanent life’s
total reflection.
(ithyadi106).
40)poetry means atma(self) doing by itself
one other wordly
Self worship.(sahithya 5)
41)poetry is emission out of melodius
good words(mangala
Vani) at joyful
supreme times by joyful supreme
persons.(ithyadi 124)
42)wheather in
poetry or in life support of sinis highway to
Wickedness.sympathy
in sinner should not become friendship with sin.(droupadi 32)
43)in poetry
voluntarily temporary ‘enquiry rest ‘
occurs.emotional
conversation becomes prominent ,world
conversation temporarily becomes
latent.(janatha38)
44)one who is
indulged in poetic meditation his torn mat on
which heis sitting is divine than throne of emperor.(Atmasri 37)
45)world of
poetry is voyage world mooving in between this world and that world. It becomes
journey also and bridge also(taponam89) in it’s highest supreme condition it’s
head
(mudi)kevala
truth’s directionless region happy
mover(ananda vihari),in it;s ordinary condition it’s feet
Becomes moover in
worldly truth’s limited zone, cause of karma.(taponam90)
46)poetry at it’s
source is not work of intellect. It is
work of darshana(vision) done by decision of intellect’(taponam124).
47)like creation
of art work enjoyment of art work is
also a creation.all the works which are not creative are tasteless
(neerasa)(kanuruiii)
48)world of work
or world of nature rules and regulations
Of one are unable to rule another they should be within rules and
regulations of other be subordinate .if opposed will lead to
destruction(pralaya).(rasoy6)
49)is their
anybody who is not defeated to song?
If one exists his
chest is hell.(chandrahasa67)
50)notes are like
hairs of beard to
articles(writing)(nannade50)
?51)where there
is divine art they will go there.(dal.................). moving in world day
and night protecting good powers, divine
selves? Like us they are also
Rasa lovers. More
than us rasa is amrutha they eat
(drink).(srirama
467)
52)as is vision
so is creation(vibhuthi55).
53)will not
vision of rasa make it false difference
of body and self.(srirama 67)
54) to expand
from human to divineship to penance of
humanity at least little helping art divine art.any art opposite to that however
attractive it may be is demon’s art(asuri art).
Taponam 108).
55)real critic is
not only guide but heart touching also)
(Kaavya vi82)
56) theme of hundred poetry is realistion
Vision of poet is
fire mirror penance family.(prethaq 64)
57)apart from
effective beauty organic
resemblance is not goal of similie(ithyadi33).
58)puranas
are delicate eternal truths carved by human intellect gross defective
story symbols.(prathimegalu)
(Shudraka 43).
59) for total
criticism of total vision universal sense
.teststone (oregallu) (nikasha)is needed.(vichara 34).
60)for symbolic vision (prathima vision) rather than matter cause of that matter is an induction power or spirit is
foremost supreme use art
matter.substitute (prathikruthi)
Method.prathikruthi
method is predominantly objective.
For greatness
talent is teacher.(sri rama 485-486)
62)Goal of life
is peace.final goal of literature which has
life as it’s subject is also peace rasa enjoyment.(shastina88).
63)value of art
is by life only for sake of
life only((prethaq 64)in poetry of life kindness itself
............................................
Shines emiting
out ,child of great poetry beautiful speech (words) style meteric body.(srirama14)
65)intellect without having thoughts,logic, or other’s
statement without these adjuncts(upadhi),
directly grasping power is
vision(darshana)(taponam122)
66) talent is electrical
embrace of intellect and
feelings(salasundari 6)
67)no poet unless
he exprriences grandure(grandness) to certain level he can’t be great poet.(mahakavi)no poetry can become ever new
long living(endless) poetry.(taponam 40).
68)by universal
mind penance filling wabbling
responding
Poet
spirit’s explosive mass of talent which ever tiny object
Becoming a
spark may become
cause of explosion of severe powerful light .(nenapi . 1. 486)
69)to a great art
overclarity is a defect.over non clarity is a
Defect.(taponam
2)
70)greatness, whatever it does a little is not a great art!(sri rama 166)
71)greatness is
art of carver.(sculpturist).will greatness of
Having
formed the stone belongs o him?
72)One who has bathed in rasa thirtha why is fear of this world? Earth is sacred
temple!heaven is foreigner.(pakshika
18)
73) from rasaful(juiceful)
shunya thrown and brought this world;in
that itself it merges hides.(Shmashana6).
74)to rasaless
(juiceless) life palace is a desert
For rasika
(juiceful ,interested) forest is higher
and fine
When loved female
is with also seeable poet’s eye
(srirama 156)
75)not to achieve
rasa(juice) is death.
Joy form amrutha
is rasa.!(srirama44)
76)without
experience of rasa without rasa
path truth has no other way.(pakshika14).
77) if there is sorrow in world
In that sorrrrow
half is due to poverty of heart!
By solving
That low
begful poverty
If
kindness of vision(darshana) giving is art(pakshika 23) .
78) criticism
means emiting from poet’s talent beautiful
feeling ful poetry areas, delicate intellectual good hearted (sahrudaya) undertaking journey or adventurous journey’s
Story telling
work.(kaavyavi82)
79)If carver keeps hand on wildstone seen will it not become art statue(srirama 390)
80)carver’s
sharp tankada (hits) tankada tips hard punishment wIll emit artful mahadeva’s statue(srirama 190)
81) if no
shrestas(superiors)what is if anything is present danger of graveyard principles(tatva),education art,music,literature to all cultures(srirama
8).
82 to a good
hearted meters,matter(subject), and rasa
tone apart from grasping along with “vision” tone(darshana) gr
Asping psychological
one principled vision i neded.
(rasovy 133)
83)harmony,
coordination,sympathy feeling of sarvodaya(all round development of all) to
stimulate these is feature of
Divine literature.(manuja40)
84)literature describes the present condition and decides
the future situation.(fate?)(atmasri14)
85)literature is
speech of human life.those who write are representatives of thousands of
peoples who can’t write.poets are
pulses of kannada land.poet’s heart is mirror of emotions of hearts of
thousands and thousands.for development of literature and culture stepping ways.(saahithya14).
86)literature is
breast of (udders) knowledge
cow(jnanadhenu)
(sahithya 12)
87)not only in literature bhumike(base,
background);in all bases (bhumike) mutual parasite.but still every man in some way
is unique ordinary.each man is is a
specialist so much so that one can’t be
another. Though all ordinary from
humanity aspects special by personality.in dependence of ordinarynessto express speciality of personality is unique dependence.the so called most independent
Peek of original creation is this unique dependence .except this there is no total independence.
(shastina 30)
88) literature
lakshmi (godess) is new new dress wearer by nature.(vibhuthi19).
89)in field
like feelingful area of literary criticism if critics do not overcome from their own taste,partiality,(self
favouritism),considering their personal openions
as siddhanthas(established principle) which depends upon their individual Abilities,
no doubt that there will be damage(ill help) to contemporary literature.(rasovy
121)
90)literature is
eye of culture.(sahithya 48)
91) literature is
stepping way to development of
culture.((sahithya 12)
92)song is
devotion of life
Song is power of
life
Song is like reduction of
weight of birth .melting of
Burden of
karma.(paanchaja 49)
End
of chapter
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